论文标题

crispnet:颜色演绎ISP网络

CRISPnet: Color Rendition ISP Net

论文作者

Souza, Matheus, Heidrich, Wolfgang

论文摘要

图像信号处理器(ISP)是历史上种植的旧软件系统,用于从嘈杂的原始传感器测量中重建颜色图像。它们通常由许多启发式障碍物组成,用于降解,演示和颜色恢复。在这种情况下的颜色再现特别重要,因为原色通常会严重扭曲,并且每个智能手机制造商都开发了自己的特征启发式方法来改善颜色演绎,例如肤色和其他视觉上重要的颜色。 近年来,人们对用深度学习管道的历史悠久的ISP系统取代历史上的ISP系统产生了浓厚的兴趣。通过这种学识渊博的模型近似旧的ISP取得了很多进展。但是,到目前为止,这些努力的重点一直在重现图像的结构特征,而对颜色演绎的关注较少。 在这里,我们提出了Crispnet,这是第一个学到的ISP模型,该模型是针对复杂的,传统的智能手机ISP专门针对颜色演绎精度的。我们通过利用两个图像元数据(如遗留ISP所需的图像)以及基于图像分类的简单全局语义来实现这一目标,类似于旧版ISP来确定场景类型的作用。我们还贡献了一个新的ISP映像数据集,该数据集由高动态范围监视器数据以及现实世界数据组成,均在各种照明条件下,曝光时间和增益设置下捕获了实际手机ISP管道。

Image signal processors (ISPs) are historically grown legacy software systems for reconstructing color images from noisy raw sensor measurements. They are usually composited of many heuristic blocks for denoising, demosaicking, and color restoration. Color reproduction in this context is of particular importance, since the raw colors are often severely distorted, and each smart phone manufacturer has developed their own characteristic heuristics for improving the color rendition, for example of skin tones and other visually important colors. In recent years there has been strong interest in replacing the historically grown ISP systems with deep learned pipelines. Much progress has been made in approximating legacy ISPs with such learned models. However, so far the focus of these efforts has been on reproducing the structural features of the images, with less attention paid to color rendition. Here we present CRISPnet, the first learned ISP model to specifically target color rendition accuracy relative to a complex, legacy smart phone ISP. We achieve this by utilizing both image metadata (like a legacy ISP would), as well as by learning simple global semantics based on image classification -- similar to what a legacy ISP does to determine the scene type. We also contribute a new ISP image dataset consisting of both high dynamic range monitor data, as well as real-world data, both captured with an actual cell phone ISP pipeline under a variety of lighting conditions, exposure times, and gain settings.

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