论文标题

开放式器官管中的音调产生:空气的共鸣球如何停止管道

Tone generation in an open-end organ pipe: How a resonating sphere of air stops the pipe

论文作者

Edskes, Bernhardt H., Heider, David T., van Leeuwen, Johan L., Seeber, Bernhard U., van Hemmen, J. Leo

论文摘要

根据经典的Helmholtz图片,在产生其特征酮的同时,在圆柱体的两个开口末端有两个反点形的器官管道,将反节点视为相应声音的边界条件。自1860年以来,众所周知,根据经典图片,管道实际上听起来较低,也就是说,管道的声音听起来比它更长,这是一个长期存在的谜。至于管道的末端,我们通过详细介绍管道开放端的气流物理学来解决这种声音谜,并表明边界状况实际上是管道的声学响应涡流球(PARVS)。 Parvs几何形状需要根据管道的开口端并封闭涡流环的声音半球。通过这种方式,我们不仅可以从器官管的开口端获得声音辐射的物理解释,尤其是它令人困惑的依赖管道对管道的半径,而且还欣赏它是对人类最古老的乐器的长笛声音的实现。

According to the classical Helmholtz picture, an organ pipe while generating its eigentone has two anti-nodes at the two open ends of a cylinder, the anti-nodes being taken as boundary condition for the corresponding sound. Since 1860 it is also known that according to the classical picture the pipe actually sounds lower, which is to say that the pipe so-to-speak sounds longer than it is, a long-standing enigma. As for the pipe's end, we have resolved this acoustic enigma by detailing the physics of the airflow at the pipe's open end and showing that the boundary condition is actually the pipe's acoustically resonating vortical sphere (PARVS). The PARVS geometry entails a sound-radiating hemisphere based on the pipe's open end and enclosing a vortex ring. In this way we obtain not only a physical explanation of sound radiation from the organ-pipe's open end, in particular, of its puzzling dependence upon the pipe's radius, but also an appreciation of it as realization of the sound of the flute, mankind's oldest musical instrument.

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