论文标题
外脑的想法
The Idea of Exo-brain
论文作者
论文摘要
在本文中，我研究了受到非语言声音的影响的过程，并提出了上下文认知设备或外观脑的概念。即使我们不完全理解它产生的声音，我们也会受到歌声的影响。当听众开始在演唱歌曲中听到单词和/或开始解释听到的单词，他会根据一种上下文来重现歌曲的意义和含义，而这种上下文是在文化中以文化的前提，或者是由于他扩展了与模糊的听觉刺激的互动而形成的，这些刺激被认为是有意义的。这就是我所说的创意耳朵的作品。歌曲的情感力量来自歌声之间的情感反应，尤其是唱歌的非语言声音，歌手和听众的语言和文化背景以及这种情感反应的某种事物出现，构成了非语言声音的含义，有理由或情感。我展示了生产的认知环境和非语言声音的接收以及歌曲如何在我们对声音的忧虑中起着核心作用，并提出了对我们的认知系统的额外感知器官的存在，我们的大脑和感觉器官的扩展，我称之为上下文的认知设备或exo-exo-brain。
In this paper I examine the process of getting affected by and the process of making sense of non-language sounds and propose the idea of the contextual cognitive apparatus or exo-brain. We are affected by a singing voice even when we do not fully understand the sounds produced by it. When the listener starts hearing words in the sung song and/or starts interpreting the heard words he recreates the sense and meaning of the song based on a context which either preexists in a culture or gets formed due to his extended engagement with a nebulous auditory stimulus that is perceived as meaningful. This is what I call the work of the creative ear. The affective power of the song comes from an affective reaction between the singing voice, especially the sung non-language sounds, and the linguistic and cultural contexts of the singer and the listener and out this affective reaction something emerges which constitutes the meaning, sensible or affective, of the non-language sound. I show how the cognitive contexts of the production and the reception of the non-language sounds, and the song, play a central role in our apprehension of the sounds and propose the existence of an extra-bodily sense making organ of our cognitive system, the extension of our brain and sense organs, which I call contextual cognitive apparatus or exo-brain.
